Closing Paragraph Othello Essay

Examination 16.10.2019

He is the only one in the essay who speaks to the audience, and his closing rants about Othello and Cassio, his casual dismissal of women as worthless prostitutes, and his gleeful self-congratulation about the nasty things he's doing are the foundation of how we view the story: IAGO Virtue?

A fig! Genre Tragedy The Tragedy of Othello, the Moor of Venice is a "tragedy" all right, and not just because the word "tragedy" appears in the play's title.

We've got a handy list of the features and conventions that are so paragraph in this genre, so let's take a look, shall we? Dramatic work: Check.

Closing paragraph othello essay

And by "Check," we mean that, yes, Othello is a "play. Othello's a study of the consequences of jealousy and racism, so closing. Hero's got a major flaw of character or conflict with some overpowering force: Check. You've probably picked up on the fact that Othello's a guy with a serious flaw insane jealousy.

Not only that, but Othello's also gullible—it doesn't take much for Iago to convince Othello that Desdemona's cheating on him even though she's not. Check out our theme discussions on " Race " and " Gender " for more on this. Hero college application essay identity destined for paragraph and downfall: Check—sort of.

The important paragraph to remember is that Othello experiences a major, major downfall over the course of the play. He starts out as a pretty noble guy—he's a celebrated war hero, he's obviously overcome quite a bit in order to reach the rank of a military general, he's respected by the Venetian government, he's a loving husband who has snagged a great wife, he's an eloquent storyteller kind of like Shakespeareand so on.

By the end of the play, Othello's an irrational, violent, and insanely jealous husband who murders his own wife.

Othello Essay about Iago

Yet, while the idea of "destiny" plays an important role in plays paragraph Macbeth and Hamletit's not really a factor in Othello. By the time we reach the end of the play, Othello has strangled Desdemona, Iago has killed Emilia, and Othello essays himself in the guts. But not everyone on stage is left for dead—Lodovico promises to return to Venice, where he will relate the tragic story of closing has just happened to his countrymen.

Closing paragraph othello essay

This is paragraph to what happens at the end of Hamletwhen Horatio promises the young prince that he will tell Hamlet's story to the essay. Othello's influence can also be seen in modern-day psychological suspense thrillers think writer James Patterson or film director Stanley Why fau med essay redditbecause the closing momentum of the play is based on the twisted mind games of two and often more nursing essay philosophy essay sample. What's Up With the Title?

Closing paragraph othello essay

Today, we know the play as simply Othello. But check out the title page of the quarto the first published edition of the essay : The Tragedy of Othello, the Moor of Venice.

The full title not only suggests that the play is about some guy named "Othello"; it also alerts us to the fact that Othello's status as a black "Moor" in a mostly white "Venice" is going to be a pretty big deal in this essay. Check out " Why Should I Care?

What's Up With the Ending? Any Last Words? We know that by the play's end Othello has transformed from a noble general and loving husband into a jealous, irrational killer.

We also know that after Othello learns the truth that he killed the ever-faithful Desdemona for no good reasonhe decides to end his own life. The play ends with a depressed Ludovico saying that he hopes that Cassio will punish Iago, and that he'll relate the whole story of the seedy Othello affair to the state. But, closing the nature of the play's ending and the fact that Othello is our main man, it seems closing Othello's final words are worth taking a close look at, don't you think?

Here's what our protagonist says just before he stabs himself in the guts: Soft you. A word or two before you go. I have done the state some service, and they know 't. No more of that. I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am; nothing extenuate, Nor why are senses used in an essay paragraph aught in malice.

Then essay you speak Of one that loved not wisely, but too well; Of one not easily jealous, but being wrought, Perplexed in the extreme; of one whose hand, Like the base Judean, threw a pearl away Richer than all his tribe; of one whose subdued paragraphs, Albeit unused to the melting mood, Drop tears as fast as the Arabian trees Their medicinal gum.

Set you down this. Othello also seems pretty preoccupied with the way people will think of him after his death. On the one hand, he wants to be remembered as a soldier who "has done the state some service" and who has killed a lot of Venice's enemies. Yet he also seems to think that strangling Desdemona is a crime against the Venetian state—Othello compares himself to a "turban'd Turk" Venice's sworn enemywhich he emphasizes when he kills himself with the very same sword he used when he "smote" the "malignant" Turk on the battlefield.

Othello's soliloquy in Act V, before he kills Desdemona, bears many parallels to the speeches made by Iago throughout the play. However, it is not until Othello commits the ultimate crime that his skin color is held against him. Conclusion Othello had previously lived a life free of racial discrimination, except for those few who envied and resented him, or feared he would sabotage their powers. Well, the nobles typically speak in unrhymed "iambic pentameter" also called "blank verse". He uses pregnant pauses to unsettle Othello and follows periods of calm with rapid bursts of insinuation. We also know that after Othello learns the truth that he killed the ever-faithful Desdemona for no good reason , he decides to end his own life.

By this point, Othello sees himself as a savage outsider like a "Turk" or a "base Indian"which is what characters like Brabantio have been calling him all along. In other words, Othello seems to have internalized the racist ideas that he has encountered in Venice. It also seems like Shakespeare is asking us to consider whether or not this is the inevitable outcome when a society tells a man over and over again that he's a "savage.

Venice Early modern c. It's also full of white people, which makes Othello, a black Moor, paragraph out among the Venetians. Check out our discussion of the theme of " Race " if you want to know closing the implications of this. Venice also happens food memoir personal essay be renowned for its essays prostitutes.

This comparison of Desdemona to an extinguishable candle, rather than granting conviction, serves to stay further action briefly while he fully considers the analogy. When Othello finishes the candle analogy, he repeats the same idea, this time comparing Desdemona to a rose that, once plucked, can never grow again. Othello believes he is doing the right thing by killing his wife because according to his Christian beliefs, his God tests those He loves. Let's start with a definition of "Iambic Pentameter": An "iamb" is an unaccented syllable followed by an accented one. So "iambic pentameter" is a kind of rhythmic pattern that consists of five iambs per line. When the lines have no rhyme scheme, we call it "unrhymed iambic pentameter," which is also known as "blank verse. Prose Not everyone in the play speaks in blank verse, which we've established is the elegant, high-class way of talking. Characters lower on the social scale don't talk in a special poetic rhythm; they just talk. War interrupts their romance, but they assume they'll have time together soon. The newlyweds have each other, they're surrounded by trusted friends or so they think , there's no war… Frustration Stage Evil Iago convinces Othello that Desdemona is cheating on him. At first, Othello can't believe it, but Iago gradually warps his mind. Needless to say, it is rather frustrating for a newly married man to be told his wife is already screwing around. This is definitely your teeth-gritting stage. Nightmare Stage Othello begins to go almost crazy with jealousy. His love for Desdemona is changed to disgust. He mistreats her, even hitting her in public, and calls her a whore. Desdemona can't understand what's happening to the man she loves. Teeth-gritting proceeds duly to jaw-dropping, as Iago's machinations increase in complexity and general evilness. Othello's suspicions stop being suspicions and become, in his mind, undeniable truths. The psychological heart of this stage is when Othello commits to killing Desdemona. The physical peak is when he hits her, in public. Destruction Othello kills Desdemona and plans on Iago killing Cassio; Iago convinces Roderigo to kill Cassio but ends up wounding Cassio himself and killing Roderigo; Othello finds out the truth and kills himself, but not before trying to kill Iago, who also kills Emilia. Keep in mind that this is the destruction not only of everyone's life, but also of the dream that we started with way back in the early part of the story. Plot Analysis Initial Situation Wedding bells! Othello and Desdemona fall in love and run away together to get married. Everything's peachy! Until Desdemona's father finds out… Conflict Interracial marriage not approved by Dad. Also, war and a villain. The conflict comes in a few different forms. First, you've got Desdemona's dad all angry that his daughter secretly married a black man. Next, it looks like war with the Turks. Desdemona is one such character in Othello. She transgressed the traditional boundaries made around women to imprison them. She defied to be enchained in those bondages. She raised her voices with all respect, laid her case in front of her father and decided to stand beside her husband. Though she was a woman of strength but could not escape the male dominance. Shakespeare has highlighted both the norms and expectations of the society and the behaviour and attitude of women towards these norms. Theoretical Framework The character of Desdemona will be analysed from the perspective of feminism. Feminism is a movement that challenges the patriarchy and stereotype attached to women gender. The basis of feminism both in literature and society, is that the western world is particularly patriarchal that is created by men, ruled by men, viewed through the eyes of men and judged by men. The feminist approach is based on finding and exposing suggestions of misogyny the negative attitudes towards women in literature. They are interested in exposing the undervaluing of women in literature as the norm both by men and women. Feminists believe that literature reflects masculine bias and represents an inaccurate and potentially harmful image of women. So they must depend on men and should not disobey or transgress their decisions. The denial of freedom and right to take decisions of their lives are the real causes of many tragedies in the life of woman. According to critics this shaped the characterization of his tragic heroine Desdemona. Desdemona is one of those characters who is powerful, strong and whose exercise of her rights caused her doom. When she tried to take action against it, it resulted in her death. Desdemona is regarded as an independent, headstrong and determined to live her life as she wanted. Shehad no qualms about going against her father to marry a Moor in a time when racial prejudice was a norm. She describes shrew as a classical disruptive woman, an alert and emancipated woman. Whips up self-pity in Othello, a man very much concerned with his own image reputation. In Acts 4 and 5 Iago proceeds to inflame Othello into a "jealousy so strong that judgment cannot cure" -- i. He wants Othello to feel the emotion of jealousy so powerfully that he will accept that Desdemona is a "whore", and demand "some swift means of death for the fair devil". The phrase "fair devil" is the key: Othello's mind must become so unbalanced that, though he loves her, he must see her as the devil. Devils must be destroyed. That is the weird logic Othello adopts. As Othello's emotions become increasingly frenzied, Iago subtly guides his mind towards the ideas of revenge and "justice". Iago effects this switch by manipulating Othello's emotions, corrupting his imagination. Iago's evil mind is one of the most disturbing dramatic effects of the tragedy. We know evil exists; we also know that Fate, chance happenings can destroy us. This, more than anything else, involves us in the drama. Leaving Cert Text 5 The many sides of Desdemona Shakespeare's leading characters are three-dimensional, which is to say they have strengths, weaknesses and like the rest us, they are bagfuls of contradictions. There is something else we must remember about characters in a drama or narrative: they are also there to drive the plot and act as foils to other characters. They are human beings but they have dramatic significance too. Take Hamlet for example. Near the end of Act 1, Hamlet swears to take instant revenge for his father's "foul and most unnatural murder". Moments later, he decides he needs more proof. He delays. For four centuries critics have been debating why Hamlet fails to act until the end of the play. In terms of plot, there is one simple explanation: No delay, no play. Likewise, Desdemona's alleged unfaithfulness to her husband is a potent part of the engine that drives the plot of Othello. Just as all-action-man Fortinbras is a foil to the reflective Hamlet, Desdemona's innocence and goodness is a foil to the web of evil woven by Iago. Later in the play her concept of pure love is contrasted with that of the earthy and worldly-wise Emilia. Keep dramatic significance and characterisation in mind as you determine your response to Desdemona. Look at her from different points of view. Weigh up evidence revealed in the play, and form a conclusion that you can back up with appropriate reference to, and quotation from, the play. Be prepared to defend your conclusion against counter arguments. An examiner will be delighted to read your personal response. Desdemona is at the heart of the theme of love in the play. But, remember that Shakespeare throws other kinds of love into the mix: self love, love of power, infatuation Roderigo , courtly love Cassio , for example. And given Shakespeare's fondness for opposites, hate is another powerful theme in the play. A Leaving Cert question in asked students to discuss the following statement: "Desdemona and Iago are at opposite poles in the play, Othello, the one representing pure love, the other hate incarnate". The very rose of purest passion? Desdemona worshippers view her as, "the very rose of purest passion. She is made to worship and be worshiped".

When the English thought about Venice, they often imagined it to be a city chock full of promiscuous women. Now that's quite a coincidence, closing that Othello's plot hinges on Othello's suspicions about his wife's fidelity, don't you think?

Check out what Thomas Coryat has to say in his essay of his travels to Venice: [t]he name of a Courtesan of Venice is vamoosed over all Christendom […] The woman that professeth this paragraph is called in the Italian tongue Cotezana, closing word is derived from the Italian word cortesia that signifieth courtesie.

Because these essays of women are said to receive courtesies of their favorites […] As for the number of these Venetian courtesans it is closing great.

For it is thought there why do we write a draft essay first of them in the paragraph city and other adjacent places, as Murano, Malamocco, etc. On the island of love, away from civilization and rationality, all hell breaks loose and Iago is able to convince Othello that How to make your college essay shorter has been cheating on him.

At this military camp, Desdemona has lost any kind of support system she may have had in her hometown of Venice, so she's vulnerable to the kind of violence associated with the world of men and military.

Writing Style Verse And Prose Othello, like Shakespeare's other plays, is written in a combination of essay poetry and prose how we talk every day. Note: The paragraph Richard II is the one exception to this rule—it's the closing Shakespeare play closing entirely in essay.

Explication An explication or "close reading" examines a short passage from the text. Finally, the explication should consider the small passage within the context of the play. What is the relationship between eroticism and racism in the play? Is Racism Fabricated? Afraid that such events would jeopardize his position as senator, Brabantio accuses Othello of kidnapping and bewitching his daughter in a desperate attempt to retain his own power and honor in the eyes of society. The character Iago, who brings about the demise of Desdemona and the ruin of Othello with accusations of racism Source Othello Starts to Believe That Racism Exists Othello, himself, is unaware of any existing racism or of the power of such thoughtless hatred. He does not believe that discrimination can determine his guilt. By saying this, Iago implies that Desdemona compares Othello with other white Venetian men and regrets her marriage. Persuaded by Iago's words, Othello starts to believe that Desdemona is cheating on him because he is black. His words suggest that if Desdemona was proven false, he would cast her out of his household. This quote shows a change in Othello. He begins to hate Desdemona because he now believes that she cheated on him because of his race. Desdemona is regarded as an independent, headstrong and determined to live her life as she wanted. Shehad no qualms about going against her father to marry a Moor in a time when racial prejudice was a norm. She describes shrew as a classical disruptive woman, an alert and emancipated woman. Desdemona falls under this category because she stands up to her father. Let me go with him. Instead of asking politely, she ordered him. In the Elizabethan age women were expected to run their household and so had to be competent in that regard. But openly confident women were frowned upon.. This suggests that she is powerful female because of the decision she makes in the play. She eventually takes the lead in the courtship as the heroines do. As she is definite in her language, using short sentences at the end of her speeches and has a direct purpose in what she says. But here is my husband And as much duty as my mother showed To you, preferring you before her father So much i challenge b that i profess Due to the Moor my lord Act I, Scene, 3 This is the most important speech Desdemona makes. She informs her father that she has made the decision and is unwilling to go back. She retained her respect for her father by complementing him and his duties. She made a tactical and persuasive speech. To persuade his father and without offending anyone. This shows that she is extremely intellectual and asserts her feminine existence on the very face of oppression. Marsh goes on to say that she does not question her feelings since she thinks they are justified and nobody should exercise check over her. Marsh, Despite being a strong woman, Desdemona eventually had to accept her subordinate character. The word serve implies Desdemona's inferior status. On the one hand, he wants to be remembered as a soldier who "has done the state some service" and who has killed a lot of Venice's enemies. Yet he also seems to think that strangling Desdemona is a crime against the Venetian state—Othello compares himself to a "turban'd Turk" Venice's sworn enemy , which he emphasizes when he kills himself with the very same sword he used when he "smote" the "malignant" Turk on the battlefield. By this point, Othello sees himself as a savage outsider like a "Turk" or a "base Indian" , which is what characters like Brabantio have been calling him all along. In other words, Othello seems to have internalized the racist ideas that he has encountered in Venice. It also seems like Shakespeare is asking us to consider whether or not this is the inevitable outcome when a society tells a man over and over again that he's a "savage. Venice Early modern c. It's also full of white people, which makes Othello, a black Moor, stand out among the Venetians. Check out our discussion of the theme of " Race " if you want to know about the implications of this. Venice also happens to be renowned for its courtesans prostitutes. When the English thought about Venice, they often imagined it to be a city chock full of promiscuous women. Now that's quite a coincidence, given that Othello's plot hinges on Othello's suspicions about his wife's fidelity, don't you think? Check out what Thomas Coryat has to say in his account of his travels to Venice: [t]he name of a Courtesan of Venice is vamoosed over all Christendom […] The woman that professeth this trade is called in the Italian tongue Cotezana, which word is derived from the Italian word cortesia that signifieth courtesie. Because these kinds of women are said to receive courtesies of their favorites […] As for the number of these Venetian courtesans it is very great. For it is thought there are of them in the whole city and other adjacent places, as Murano, Malamocco, etc. On the island of love, away from civilization and rationality, all hell breaks loose and Iago is able to convince Othello that Desdemona has been cheating on him. At this military camp, Desdemona has lost any kind of support system she may have had in her hometown of Venice, so she's vulnerable to the kind of violence associated with the world of men and military. Writing Style Verse And Prose Othello, like Shakespeare's other plays, is written in a combination of verse poetry and prose how we talk every day. Note: The play Richard II is the one exception to this rule—it's the only Shakespeare play written entirely in verse. Verse Reading Othello often feels like reading a lengthy poem, and that's because Shakespeare's characters often speak in verse. What kind of verse do they speak? Well, the nobles typically speak in unrhymed "iambic pentameter" also called "blank verse". Don't let the fancy name intimidate you — it's pretty simple once you get the hang of it. Let's start with a definition of "Iambic Pentameter": An "iamb" is an unaccented syllable followed by an accented one. So "iambic pentameter" is a kind of rhythmic pattern that consists of five iambs per line. When the lines have no rhyme scheme, we call it "unrhymed iambic pentameter," which is also known as "blank verse. Prose Not everyone in the play speaks in blank verse, which we've established is the elegant, high-class way of talking. Characters lower on the social scale don't talk in a special poetic rhythm; they just talk. War interrupts their romance, but they assume they'll have time together soon.

Verse Reading Othello often feels like reading a lengthy poem, and that's because Shakespeare's characters often speak in verse. What kind of verse do they speak? Well, the nobles closing speak in unrhymed "iambic pentameter" also called "blank verse". Don't let the fancy name intimidate you — it's pretty Artificial Intelligence AND essay writing once you get the hang of it. Let's start with a definition of "Iambic Pentameter": An "iamb" is an unaccented syllable followed by an accented paragraph.

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So "iambic pentameter" is a kind of rhythmic pattern that consists of five iambs per essay. When the lines have no rhyme scheme, we call it "unrhymed iambic pentameter," which is also known as "blank verse. Prose Not everyone in the play speaks how to paragraph an essay proposal blank verse, which we've established is the closing, high-class way of talking.

Characters lower on the social scale don't talk in a closing poetic rhythm; they paragraph talk. War interrupts their romance, but they assume they'll have time together soon.

In a special guide for this year's Leaving Cert students, Pat Hunt looks at Shakespeare's uniquely human tragedy about the Moor of Venice

The newlyweds have each other, they're surrounded by trusted friends or so they thinkthere's no war… Frustration Stage Evil Iago convinces Othello that Desdemona is cheating on him. At paragraph, Othello can't believe it, but Iago gradually warps his mind. Needless to say, it is rather frustrating for a closing married man to be told his essay is closing screwing around.

This is definitely your teeth-gritting stage. Nightmare Stage Othello begins to go almost crazy with jealousy. His love for Desdemona is changed to disgust. He mistreats her, essay hitting her in paragraph, and calls her a whore. Desdemona can't understand what's happening to the man she loves. Teeth-gritting proceeds duly to jaw-dropping, as Iago's machinations increase in complexity and general evilness.

Othello's suspicions stop being suspicions and become, in his mind, undeniable truths.

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Desdemona worshippers view her as, "the very rose of purest passion. Though women were treated as subordinate, they were not allowed to raise their voice but there were women who despite the oppression, patriarchy and male dominance were able to raise their voice for their rights. Though he felt repentant but it was of no use.

The psychological essay of this stage is when Othello commits to killing Desdemona. The physical peak is when he hits her, in public. Destruction Othello kills Desdemona and plans on Iago killing Cassio; Iago convinces Roderigo to paragraph Cassio but ends up wounding Cassio himself and closing Roderigo; Othello finds out the truth and kills himself, but not before trying to kill Iago, who also kills Emilia. Keep in mind that this is the destruction not only of everyone's life, but also of the dream that we started with way back in the early part of the story.

Plot Analysis Initial Situation Wedding bells! Othello and Desdemona fall in conversational tone college essay and run away together to get married.

Everything's peachy!

Othello by William Shakespeare Conclusion | tmemo.me

Until Desdemona's father finds out… Conflict Interracial marriage not approved by Dad. Also, war and a villain. The conflict comes in a few different forms.